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Roofer MBA

Say the Hard Thing Without the Blowup

Module 3 · Crew Quality · Play 9 of 10

In a hurry? ↓ Do this this week

The problem in one breath

Your foreman's been rolling in twenty minutes late, and the crew's clocked that you've said nothing. Or a good hand asked for a raise you can't swing and you keep telling him you're "thinking about it." The talk sits there a month, getting heavier — while everybody watches you not have it.

Why it happens

The talk feels like it'll go off, so you wait for a better moment that never shows. Meanwhile the thing you're ducking won't hold still. The late foreman gets later. The crew learns the rules bend for whoever the boss won't call out. The guy waiting on your answer reads the silence as a yes. Dodge it once and it's twice as heavy next week. What you're really avoiding isn't the man — it's the one hot minute right after you say it out loud.

The play

You don't need this to feel good. You need it to stay small and not blow up. Six moves.

  1. Give him the heads-up first. Before you drop the thing on him, tell him plain it's a hard one and his blood might come up: "This one's tough, and you might not like it — hear me all the way out before you answer." A few seconds of warning pulls the ambush out of it. Men go hot when they're blindsided; tell him to brace and he braces instead of swinging.
  2. Lead with the actual point. First sentence, no wind-up: "Your last two roofs came back with callbacks, and we've got to fix it." Not a slow tour of how much you value him first. Circle it and he figures it's up for a haggle, and you both sit in the dread longer. Point first, then explain.
  3. Give two or three reasons, then quit. Once a man's stung, his head's only half working, so a ten-minute lecture is wasted breath. Hand him the two or three things that actually matter and stop. And name the fix, not just the miss — say what's wrong and hand him the fix (M3-02) — so it's something he can act on, not just a chewing-out.
  4. Then hand it to him and shut up. Ask, "What's going through your head right now?" — and let him talk all the way out without jumping in. This is the move that keeps the lid on. A man who gets to say his piece doesn't have to blow up to be heard.
  5. Say it back till he agrees you got it. Repeat what you heard: "So you're telling me the crew's rolling out before the yard's swept, and you're the one catching heat for it." Keep going till he says yeah, that's it. You don't have to give an inch on the call itself — being heard is what lets a man bleed off the steam instead of doing something he can't take back.
  6. When the answer's no, say a clean no. The raise you can't carry, the call he keeps making above his pay grade — you don't owe him a yes, and you don't owe a paragraph of excuses. One flat no and one reason: "I can't do the raise right now — the jobs aren't carrying it." A soft maybe is worse: it hands him false hope and drops you right back here in a month. Pick your one line first, and if he pushes, say it again.

Do this this week

Pick the one talk you've carried the longest — the late foreman, the veteran whose work slipped, the raise you have to turn down. On a sticky note, write your first sentence (the actual point) and, if it's a no, your one reason. Give him the heads-up, then have it before Friday.

The tool

No spreadsheet — a card you fill in before you pull him aside:

THE HARD TALK  —  before you pull him aside

Heads-up (say this FIRST):
  "This one's tough — hear me all the way out before you answer."

The point (your first sentence, straight, no wind-up):
  "________________________________________________"

Two or three reasons why  (stop at three):
  1. ______________   2. ______________   3. ______________

Hand it over:  "What's going through your head?"   Then listen. All the way.

Say it back:   "So what you're telling me is _______________________."
               (repeat till he says: yeah, that's it)

If the answer is NO:
  "I can't — and here's the one reason: ____________________."
  He pushes back? Same line, again. Don't reopen it.

If your crew is 1099

This play directs a worker — coaching late starts, working on a man's habits, hearing him out on a raise — so with a sub it changes shape. His hours and his habits aren't yours to manage. Watch me, then I watch you (M3-04) is where that warning gets spelled out end to end. With a sub, the hard talk is one company telling another the delivered work missed the spec you both signed — "these two roofs didn't meet the agreement; here's the gap" — and there's no raise to give or duck, only the next contract's price, yes or no. The heads-up and the clean no still travel: warn him it's a blunt one, and if the answer's no on price, say it in a single line. Keep it on the deal, not on the man.

The one thing

Do this this week

Pick the one talk you've carried the longest — the late foreman, the veteran whose work slipped, the raise you have to turn down. On a sticky note, write your first sentence (the actual point) and, if it's a no, your one reason. Give him the heads-up, then have it before Friday.

Take it with you

One email unlocks this and every other sheet and card on the site. The plays stay free.

Same fire

You've told him ten times and nothing changes

All the fires →

Fixed this?

While you work on him, put the standard on paper so the rest of the crew doesn't drift with him.

The fire right behind it is usually Callbacks and sloppy work.

These plays are how we run a shop — they are not legal, tax, or accounting advice. Rules change by state and by contract, so before you act on the legal-sounding parts, run them past your own attorney or accountant. It's your business, and what you do with any of this is your call and your responsibility.

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